May You Be In Heaven A Full Half Hour

Years back I was a movie fanatic. I saw everything. (Well, it helped of course that I worked at a movie theater.) Recently though I hardly see a movie in the theaters, and when I do it seems to be every other month.

Movies have become expensive, sure, but it’s not a money issue so much as a time issue.

I just don’t really have the time to see movies, what with work and life and writing and everything else because, let’s face it, most of the stuff that Hollywood churns out these days amount to a big pile of doo-doo.

The good movies — the really great movies — seem to be the ones done independently and, if they’re lucky, eventually get distributed by a major studio.

Now I’m not going to bore you with a diatribe about the movie industry (though I could); no, what I want to tell you about is a movie I saw recently, picked up at my local library, that, in my opinion, is one of the best movies I’ve seen this year.

Released in 2007, directed by Academy Award winner Sidney Lumet, Before The Devil Knows You’re Dead tells the story of two brothers (Philip Seymour Hoffman and Ethan Hawke, both who do an amazing job in their given roles) down on their luck and in need of money. Fast money. So they decide to rob a jewelry store, a small mom-and-pop outfit located in a strip mall, a place they know very well because — and here’s the twist — it’s owned by their parents.

I don’t want to give too much away except to say that, as you can imagine, the robbery doesn’t go according to plan and everything from that point on spirals out of control. What’s more, the film is shot in the style of Reservoir Dogs, skipping around with time and POV that really does keep you riveted to your seat.

And yes, because I know you’re wondering, Marisa Tomei is in the movie and yes, she does get naked. Twice.

If that’s extra incentive, good. If not, get over it, because you must — I repeat must – see this movie. Like, right now.

  • http://wordsinplace.blogspot.com/ gaydegani

    On my list now. Thanks for the tip.

    I have real problems with movies these days. I too have been an avid fan, but in recent years I’m rarely surprised or moved. I have a friend (she’s my age too) who insisted to me the other night that I would just love the first Transformers movie.

    When I told her it put me to sleep, she said, “But it has such a good story. There’s this nerdy guy who’s in love with a hot girl who is hot for the football player and…” Well, my friend put me to sleep.

    I just don’t get it. Adding CGI to a cliched story just doesn’t cut it for me. Maybe the last good movie I saw was “Crash,” but there has to be more than that.

    Or am I just cranky?

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  • Robert Swartwood

    Crash was great. And the thing I’ve noticed is that the type of movie dictates whether or not I really like it. Like Transformers — okay, I saw it and it was okay, I’ll probably see the sequel, but that’s it. I didn’t think it was amazing. It was a fun movie, and that’s what it’s supposed to be. Now take Iron Man — it’s supposed to be a fun action movie, but Robert Downey Jr. really makes that movie what it is, and it goes (for me at least) from good to great. Maybe it’s because I give certain movies different kinds of leeway. I have different kinds of expectations. And if a movie I don’t expect to be that good exceeds my expectation, my rating of course goes higher … or, vice versa, lower.

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  • http://wordsinplace.blogspot.com/ gaydegani

    Expectations is the unexpected key to whether or not a movie gets the love–or hate– it deserves. As soon as someone starts with, “Wow, I just saw this fabulous movie and you’ll–” I show them the hand. No. Don’t say another word.

    If I am looking forward to a flick, I try to go see it the day it comes out. I don’t read reviews until after.

    I loved Iron Man. Thought it was thoroughly enjoyable, bordering for me on great. Lots to love.

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  • Jonathan Kelly

    The problem is Film studios won’t take risks on indie movies, they will do sexy teen comedies and chick-flicks because they’re cheap and have a massive audience.
    Another thing which is overloading the industry is remakes, mostly horror: Hills have eyes, Friday the 13th, Halloween, Last house on the left, etc It seems Hollywood is getting lazy, I doubt we’ll see a great new horror franchise anytime soon.
    But I do have to admit that I thought The Dark Knight is a masterpiece in modern Cinema.
    To me it seems that the British film industry is the best, films like The Descent, Bronson and Doghouse are all overlooked.
    Oh and Crash is a good film, but I think Brokeback Montain was sorely robbed at the oscars that year.

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  • Robert Swartwood

    Gay — I just realized that I shouldn’t have said anything about this movie, because now it’s tainted for you … :-)

    Jonathan — yeah, what it comes down to in Hollywood (just as it does everywhere) is the bottom line: are they going to make money on it. If really great well-made movies brought in a bunch of cash, they’d concentrate on those. But no, it’s the crap that has the larger return, and so that’s what we’re stuck with.

    I’ve noticed that really great movies come out of Britain, too.

    Never did see Brokeback Mountain but I read the short story. To be honest, I was really put off when Annie Proulx whined and complained the day after the Oscars, calling Crash “trash” and so on. Wasn’t very professional, IMHO.

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  • http://www.scaryparent.blogspot.com Joe

    This is the second recommendation I’ve read for this movie. I’ve put in a request for it at the library. Seems like one of those that managed to slip past me the first time but I’m always in the market for exactly this kind of stuff.

    I’m with you on the Proulx whining, but Brokeback was solid. I watched it on an Easter Sunday a few years back, eating Chinese on the living room floor.

    I have your Wells Tower book and keep thinking of when I can get it back to you. Unlike certain authors, I will return your property.

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  • Robert Swartwood

    No hurry on the book, but you still want to go over my notes on your MS? Drop me a line.

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  • http://frankbyrns.livejournal.com Frank Byrns

    I’ll second the recommendation for “Before the Devil Knows You’re Dead”. Great crime flick, very 70s feel to it (not surprising since Lumet directed it).

    I haven’t enjoyed Ethan Hawke in much of anything, but this was a pretty good performance. Hoffman was, as usual, tremendous.

    Great movie. Thumbs way up, and all that.

    (Transformers was terrible. Crash was overrated.)

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  • Robert Swartwood

    I’m with you regarding Hoffman, Frank. One of his best performances, which is saying a lot as he’s amazing in nearly everything he stars in.

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