Wild Fire By Nelson DeMille: A Lack Of Suspense

Scott Brick is one of my very favorite audiobook narrators, which is why not too long ago I picked up the audiobook of Wild Fire by Nelson DeMille. Scott Brick, as usual, does a great job, but the actual novel itself? Well, it had potential. Here's the synopsis from Goodreads:

Welcome to the Custer Hill Club, a men’s club set in a luxurious hunting lodge whose members include America’s powerful business leaders, military men, and government officials. The club is a place to relax with old friends, but one fall weekend, the club’s Executive Board gathers to talk about 9/11 and finalize a retaliation plan, know by its code name: Wild Fire. That weekend, a member of the Federal Anti-Terrorist Task Force is found dead. It’s up to Detective John Corey and his wife, FBI Agent Kate Mayfield, to unravel a terrifying plot that starts with the Custer Hill Club and ends with American cities locked in the crosshairs of a nuclear device. Corey and Mayfield are the only ones who can prevent global chaos form being unleashed.

Okay, so it sounds pretty interesting, right? Well, again, it had potential. But here's my main problem with the story:

John Corey is assigned to check out the club but a friend and coworker of his, Harry, goes in his place. And Harry then is caught and brought before the club's "Executive Board" where he listens to the men discuss their ultimate plan, which is to nuke two U.S. cities and start off a military program called Wild Fire, which is basically an unspoken understanding between the U.S. and the Middle East that if nuclear weapons are ever detonated on U.S. soil, then the U.S. will immediately strike back with every nuclear weapon they have. Sort of like a new Cold War. So Harry listens to this plan -- the men speak right in front of him, after all, and the top bad guy even eggs him on by asking him his opinion at times -- and the entire time I'm thinking, This guy better not somehow manage to escape and then end up stopping them after he's already learned their master plan.

Well, Harry doesn't. Instead he's killed and his body is left out in the woods to be made to look like a hunting accident. Enter then John Corey and his wife Kate Mayfield, who begin to look into Harry's death. They believe it may not have been a simple accident -- something that we, as the reader, already know. They begin to investigate and learn that the Custer Hill Club may not be just a simple rich men's club -- again, something we, as the reader, already know.

And really, that's my entire problem with Wild Fire -- we, as the reader, already know everything that is going on, and we're just watching and waiting for our heroes to connect the dots. And because of that, there is no suspense. Also, let's not forget the scene in the end when the bad guy who plans to nuke two U.S. cities decides to bring our two heroes, whom he's captured, along for the ride so they can witness the destruction. Because -- surprise! -- our heroes then manage to get away at the last second and stop the bad guy from nuking those U.S cities. It reminds me of the scene in Austin Powers where Dr. Evil captures Austin Powers and keeps him alive so he can tell him his master plan and all the while Dr. Evil's son Scott is saying how they need to just kill Austin Powers and get it over with and Dr. Evil tells Scott to be quiet and then, of course, Austin Powers manages to escape.

Unfortunately for anyone who reads the entirety of Wild Fire, there isn't any escape. Because, despite it being a large book (the audiobook is 15 discs), not much seems to happen. Just a lot of talking as our heroes try to solve a mystery we, as the reader, already know the answer to. So when, at the end, they do finally uncover the truth, you think, What took you so friggin' long?

Just Over One Year Ago Today

... the Hint Fiction anthology was released into the world (or, at least, the United States). Like any writer, I was nervous. I knew the book would have a lot of critics, especially those die hard traditionalists who always think themselves the life of the party when really they're the death. I knew the book was already fighting an uphill battle, what with it being something completely new with no real audience.

Who was going to buy it? Who was even going to care?

Of course, as it turned out, there wasn't much to worry about. The anthology received favorable reviews from the likes of The New Yorker, The Los Angeles Times, and The Denver Post, among many other blogs and publications. It was featured on NPR's Weekend Edition Saturday with Scott Simon, which helped propel sales like crazy. I was interviewed by Sean Moncrieff of Newstalk, Ireland’s independent talk radio station. The Gotham Writers Workshop made Hint Fiction one of their writing contests. There were group readings/signing with several of the contributors in Los Angeles and New York City and Philadelphia, and then later at AWP in Washington, D.C -- where there was even a packed panel talking about the form. The Nervous Breakdown chose the anthology as one of their favorite books of the year.

You'd think that was it, right?

Wrong.

In addition to all of those wonderful things happening, the hits just kept on coming.

The Columbia Art League hosted an art show inspired by the anthology (in fact, the show's only open for a few more days, so if you're in the area, check it out). There's currently a Hint Fiction Film Contest, which will premiere at next year's Vail Film Festival. And I know of several classes (both college and high school) that teach Hint Fiction, if not briefly, in their creative writing workshops.

How many copies of the anthology have sold? Well, I don't have an exact number, but I did get a statement from the publisher not too long ago, and between October of last year and this past March, there were about 13,000 copies sold, between print and digital.

That ain't too shabby for a book that was inspired by a little essay that was never meant to be much of anything, huh?

So what does the future hold for Hint Fiction?

I have no idea.

The one question I get asked most often is whether there are plans for a second volume. And the answer I give most often (because it's the only answer) is no. Obviously the book did well and was very well received, and I think right now that's good enough. After all, you don't want to overdo a good thing. If the time is right for a second volume and there's great demand, then sure, I'll consider putting together another anthology. But right now I like the idea of there being only one.

But I do sometimes worry that Hint Fiction may eventually overstay its welcome. Some people call it gimmicky, and maybe it is. The truth is you can make a gimmick out of pretty much anything. I'm not here to defend Hint Fiction to the death. People are entitled to their own opinions. My main goal out of all of this was for readers and writers to think outside the box, to understand writing should not be restricted to arbitrary rules, to realize that stories so small can sometimes be quite powerful.

But with such a limited space to navigate, how much more is there to explore? Before, Hint Fiction was something new and exciting. There was no specific structure or rule, so writers were making them up as they went. But now that the anthology has been out and more places are publishing these very short stories, I've begun to see a pattern. The stories, for the most part, are beginning to follow a formula. There aren't really many more surprises to be had in those twenty-five words. I noticed this in the past Hint Fiction contest I hosted last spring, and because of that I'm hesitant to host another one.

Because the very last thing I want to see is Hint Fiction become stale and boring.

It's still, in many ways, the new kid on the block.

My hope is that it stays strong and manages to hold its own, no matter what comes its way.

Let The Game Begin

Ben Anderson goes to bed Sunday night, lying next to his wife in the comfort and safety of their Pennsylvania family home, to wake up the next day in a rundown motel in California — alone.

He doesn’t know how he got there, he doesn’t know where his family is, and written in dried blood on the bathroom door are the words LET THE GAME BEGIN.

Soon Ben is contacted by Simon. Simon knows all there is to know about Ben, more than he cares to remember himself.

If Ben wants to save himself and his family, he will have to do everything Simon says.

As the game begins — with stakes much higher than either man can imagine — no one knows where it will lead or how it will end.

Only one thing is for certain: this time the game will change everything.

Man of Wax is 80,000 words long and the first book in a thriller trilogy where every day men and women must fight a power that threatens to destroy the world. Recommended for fans of Harlan Coben, Michael Marshall, and Dean Koontz.

Man of Wax grabs you by the throat in the first chapter and never lets go. A suspense-filled thrill ride with plenty of shocks along the way. Read it!”

F. Paul Wilson, author of the Repairman Jack novels

A paperback version of Man of Wax will be available within the next few weeks, but right now the novel is available in all the following digital formats:

(Of course, if you were on my newsletter which I sent out earlier today, you would have gotten a free digital copy of Man of Wax; just sayin'.)

More exciting Man of Wax stuff coming soon ...

Delayed Awakening

“What’s wrong?”

“Nothing.”

“You look scared. Why are you scared?"

“I’m not.”

“Yes you are. Tell me why.”

“Because ... ”

“Yes?”

“Because you’re supposed to be dead.”

*

They were in the graveyard, just the two of them, Jimmy standing to the side as the man dug into the cold earth. Around them the wind picked up, stirring leaves and dead flowers.

How long had they been here? Jimmy wasn’t sure. An hour, maybe two. It didn’t seem to matter here in this place. The dead did not keep time.

The pile of dirt beside the grave was getting high. Almost as high as last year, and the year before, and the year before that.

*

“I’m supposed to be dead?”

No answer.

“I don’t feel dead.”

“You always say that.”

“I do?” Pause. “What else do I say?”

*

The man dusted dirt off the aged wood of the coffin, cleared around the latches. He paused, glanced up at Jimmy, and smiled.

“This time,” he said. “This time it will work.”

As the man went about opening the coffin, Jimmy closed his eyes. He tried to imagine himself in a different place, a different time. He tried to imagine himself as a different person.

Earlier tonight the town had been awake with life, with the colors and sounds of children running through the streets. The sweet scent of innocence followed them like their own shadows. Dressed in costumes, carrying buckets and bags, they traveled to each house, from one doorway to the next, ringing doorbells, reciting chants.

Jimmy had never experienced any of it. He had never dressed as a cowboy or spaceman or wore a white sheet over his body with two holes cut out for eyes. He had never gone into the SaveMart and bought one of those brightly-colored outfits taken from Saturday morning cartoons. He was only thirteen years old, and though he had never done any of that, he knew deep down he wouldn’t change a thing.

*

“Well? I must have said something before.”

“Not really.”

“Then why am I here?”

“You know why.”

Another pause. Then, “Yes, I guess I do.”

“You always wait until he leaves.”

“That’s right. I just can’t forgive him for what he did to me.”

*

Her body had decayed worse than they’d hoped. She was barely recognizable lying there between the white satin, dressed in a long black gown.

The man wiped at his eyes. “It has to work this time. It has to, because next year I don’t think ... ” He shook his head.

He turned to the backpack they’d brought, knelt down, and withdrew the ancient book. Jimmy had no idea where it had come from. Neither did the man. But it had fallen into the man’s possession -- this old thing that smelled of dust and was filled with strange words -- it was the man’s now and this was the only time of year he ever opened its pages.

The man fell to his knees at the side of the grave. He waited for Jimmy to do the same. Then he opened the book, and from the wan light of the moon, he began to read aloud in a tongue Jimmy could never understand.

*

“Let’s not talk about him, okay?”

“Then what would you like to talk about?”

“Me. How about we talk about me?”

*

They waited. The man was done saying the words — the words he had said so many times before — and now they waited. The wind died down. A few more leaves skittered into the grave. The smell of grass and soil was strong.

Seconds passed.

Then minutes.

Then almost an hour.

“No,” the man said. He struck the cold earth with his fists. “No, no, no!”

Jimmy kept staring down into the grave. He knew not to watch the man. Every year it was the same. The man would throw his tantrum, he would throw the book into the backpack, and then he would stalk away, a shadow among ghosts, mumbling under his breath how he just wanted one more chance, just one simple chance, to say all the things he never got to say.

Then he was gone.

Tonight she will come back, the man had told Jimmy on their walk out here, the same thing he’d said for the past seven years. Tonight the veil between the living and the dead is at its weakest. She’ll be able to slip through. I know it.

But she never did slip through. Jimmy barely remembered spending time with her, he had been so young. But he knew what had happened. Or at least what he believed had happened. And somehow that was all that mattered.

*

“Okay, we can talk about you. It’s just ... ”

“What?”

“Nothing.”

“You’re still thinking about him, aren’t you?”

“I can’t seem to help myself.”

“But you hate him.”

“Well ...”

“You have to hate him. You must.”

“It’s complicated.”

“No it’s not. It’s very simple. He murdered you.”

“But — ”

*

The man had walked away and left Jimmy by himself. Late at night, a few more hours and the sun would begin to rise. The older kids, the ones who went to the high school, they were still up, probably drinking or smoking or causing some kind of trouble. Jimmy wasn’t afraid, not of them, though he did wonder what he’d be doing when he was that age, whether he’d be among friends or out here in the graveyard.

The man always told Jimmy he wanted one more chance to say goodbye, one more chance to say everything he never had a chance to say, and that would be it. That was why they came out here every year. On the night she died, the night her soul passed from this world into the next. They would come here and the man would call back her soul, would command it to return to her body, so she could live again, so that they could be together, if just for a few hours.

Jimmy feared that the most. He feared that if the man and the woman did actually spend time together, the man would never come out here again. They would not kneel down beside the opened grave, the man would not read from the book, and the woman would not come back. Ever again.

That was why Jimmy lied to himself, and to the woman. He knew the truth. He knew it had been a car that hit the woman, that she had not been murdered in cold blood. Still, this was what Jimmy told her, and somehow she had believed him the first time and continued to believe the lie.

It was what kept her from coming back when the man was there, that hatred for what he’d done to her, which caused her delayed awakening. But she would slip through, oh yes she would, and then she and Jimmy would be together. He was always happy when it happened, never scared. The only thing he didn’t like was that the woman asked about the man. Why couldn’t she be content and talk to him, ask him questions, and forget the man completely? Why couldn’t she just accept the fact that she hated him for what he’d done to her, wanted nothing to do with him at all, and simply ask about Jimmy? But it never failed. She always persisted, so much so that eventually it got too much for him, and when he couldn’t take it anymore he would shout —

*

“No fucking buts! He murdered you and you hate him!”

“How — How dare you speak to me like that. You know better than to — ”

“But I don’t. That’s the thing — I don’t know better. I’m different from everyone else at school. I have no friends, nobody to talk to. And do you know why I’m different? Do you?”

The woman is silent.

“Because of you. You had to leave. You had to turn my life to shit.”

“But — ”

He jumps into the grave, wraps his hands around the woman’s neck. The sky is no longer dark, but starting to brighten. Soon the sun will rise. The woman’s soul cannot stay when the sun shows itself, or else it will be lost forever. So Jimmy must release it, send it back to the other world. He hates doing it, but the anger in him is so strong that when he squeezes the dead skin he doesn’t feel sorrow or revulsion but even more anger, even more rage. He blames the woman for everything — for every bully that’s picked on him, for every test he’s failed, for every girl that’s laughed at him behind his back. For every time the man brings him to this graveyard.

And next year it will be the same: they will come out here again, and Jimmy will feel happy, excited, glad to be here, because somehow he will make himself believe that what had happened the year before never took place. The woman will never remember either, she will never know, so she awakens, as if opening her eyes for the first time.

And someday Jimmy hopes the woman will forget about the man altogether. They will spend a more pleasant time talking, instead of him jumping into the grave and strangling a neck he’s touched one too many times. He will cry and cry and cry, and in the end he will climb out of the grave, dig it back in, then go home. He will feel miserable until he sees the man, sees how miserable the man is, and that will lift his spirits, make him feel better, that knowledge that he has done the one thing the man could not, the last thing in the world the man thinks possible. And it’s all because —

*

— he sat and waited. The moon touched the horizon. The wind rose, then fell, rose, then fell.

In the grave, the woman opened her eyes. She stared straight up at the cloudless sky. She moved her eyes ... found his.

And staring into those blank eyes, Jimmy thought back to when he’d been six and she took him trick-or-treating. He told himself he had never gone, but it was a lie, just like everything else.

She’d been walking with him, holding his hand and his bag, and talking to him as they crossed the street. She hadn’t seen the car as it swerved around the corner. The teens inside hadn’t seen her either, they’d been too high, but that didn’t stop the car from smashing into her.

Only Jimmy had seen what was about to happen. He had seen it, and he had been scared and speechless, only listened her to words, until it was too late and he let go of her hand and jumped out of the way.

That was how she really died, this woman in the long black gown, how she had been taken from this world into the next. But Jimmy told himself it didn’t happen, that it was all a lie, until when he was out here by himself and she awoke, and for a moment, a single instant, he thought he saw it in her eyes, the knowledge of what really happened, how he hadn’t said a word. And deep down inside himself, in his soul, he became afraid.

“Hi, Mom,” he whispered.

She only stared back at him, those dark blank eyes showing little sign of life, and that phantom knowledge Jimmy had been so sure he’d seen was now gone. Then she opened her mouth. Nothing came out at first, but then, softly, she asked, “What’s wrong?”