Muñoz, the author of two short story collections (The Faith Healer of Olive Avenue and Zigzagger), uses the second-person voice to draw the reader into his stellar first novel. In 1959, the Director (i.e., Alfred Hitchcock) arrives in Bakersfield, Calif., to film Psycho, along with the Actress (i.e., Janet Leigh), who's struggling to get a handle on the character she will portray. Providing counterpoint to the events surrounding the making of the iconic Hollywood film, including the search for a motel to serve as the exterior of the Bates Motel, is the story of locals Dan Watson and Teresa Garza, whose doomed love affair ends in murder. The author brilliantly presents the Actress's inner thoughts, while he handles the violence with a subtlety worthy of Hitchcock himself. The lyrical prose and sensitive portrayal of the crime's ripple effect in the small community elevate this far beyond the typical noir.
As readers of this blog know, I'm a huge fan of the second person -- when it's done properly, and judging by this review, it's done very well. Plus the book just sounds great. Oftentimes I psych myself up for a book that, when I do finally read it, I come away disappointed. I really hope that's not the case this time around. Guess we'll find out in March.