Give Some Swartwood This Holiday Season

Looking for a great holiday gift? Trying to find the perfect thing for that loved one? How about a signed and personalized copy of any one of my books? I'm running a holiday special on the following titles:

Man of Wax -- 294 pages -- retail $13.95

The Serial Killer's Wife -- 308 pages -- retail $13.95

The Calling -- 342 pages -- retail $14.95

The Dishonored Dead -- 366 pages -- retail $14.95

Phantom Energy: [Very Short] Stories -- 100 pages -- retail $5.95

Hint Fiction: An Anthology of Stories in 25 Words or Fewer -- 188 pages -- retail $13.95

Buy separately at retail and pay only a dollar -- yes, that's right, ONE DOLLAR! -- for shipping.

Or you can buy more than one and pay only ten bucks for each novel or the Hint Fiction anthology and get free shipping (add Phantom Energy for only five dollars more).

Or you can get all six books -- what I'm calling the ultimate Robert Swartwood package -- for just $50 and free shipping. That's over a $25 dollar savings -- plus free shipping!

But act fast -- this offer is only good until December 10th.

PayPal robert (at) robertswartwood (dot) com with your order (free and discounted shipping only applies within the United States; email first regarding international orders).

Be Thankful For Free Zombies

It's the day before Thanksgiving, and to show you how much I'm thankful for all your support, I'm happy to announce there's a special promotion on my e-book In the Land of the Blind for immediate free download on Kindle. Currently it's only free in the US Kindle store, but will hopefully become free in the UK and other Kindle stores soon. Keep an eye out, and have a safe holiday weekend.

Why I Self-Published

Joe Konrath let me ramble on his blog today on the real reason behind why I decided to start self-publishing (but regular readers of this blog already know most of the story). Also Kristine Kathryn Rusch has an excellent post about how traditional publishers are making money (hint: not paying the writers near enough). Here's an excerpt:

But the biggest place that the publishers are saving money in the e-book side of things is author costs. Ten years ago, e-book rights got treated like any other subsidiary right. The authors got 50% of whatever the publisher got for that book.

The assumption in subsidiary rights is that the publisher would outsource them. That was especially true ten and twenty years ago, when book publishers published books only. But those of you who went to the links I posted above should have noted that the parent companies were major conglomerates with other holdings. So now, a lot of what used to be outsourced, from audio books to e-books, get produced in some other part of the parent company.

The suits at the parent company put pressure on the book publishers to change the contracts to reflect the in-house nature of the production. Contracts bought rights directly instead of splitting them, particularly in houses that also have a sister company that’s, say, an audio company.

Writers, writers organizations, and agents fought a lot of those changes, arguing that they still required the 50% of whatever the publishing house “got” for those rights. This battle got quite heated, and everyone expected give on both sides.

The battle was fought five to ten years ago (depending on the company), and back then, no one thought e-books would ever make any money.

Not ever.

So the writers, writers organizations, and agents had to cave on something to show they were “giving back” in the negotiation. They agreed to 25% of net or 15% of gross on e-books around that point, because “everyone knew” that e-books would never account for more than one-tenth of one percent of a book’s sales.

Ooops.

In current contract negotiations, e-books are no longer considered a subsidiary right. They’re a major point of sale, along with hardcover, trade, and mass market rights. Traditional book publishers have made e-books rights a deal-breaker in contract negotiation.

Either writers give the traditional publisher 15% of gross or 25% of net, or there is no contract. Some publishers are getting even stingier: 15% of net, not gross, and if you don’t like it, writer person, walk away.

Funny how things turn out sometimes, huh?